Q 21- Discuss the advances in the field of art and architecture made during the Gupta period. (250 words)
Paper & Topic: GS I àIndian Culture - Salient aspects of Art Forms,
Literature and Architecture from ancient to modern times.
Model Answer:
Introduction:
The Gupta dynasty is an important dynasty which ruled ancient India between 4th century to 6th century.
They have left amazing examples of their glorious reign which has been called the ‘Golden era’ of India’s history.
During their rule art, sculpture, inventions, philosophy, mathematics and literature has flourished.
The Kingdom was founded by Sri Gupta.
Chandragupta I, Samudragupta and Chandragupta II were famous kings.
Body:
Gupta Cave Shrines:
The earliest examples of religious architecture were cave-temples which typically had exteriors decorated with relief sculpture and a single carved doorway.
Inside the shrine, ritual sculptures were placed such as a Shiva linga (phallus) and the walls were richly decorated with more carvings showing scenes from mythology.
Notable examples are found at Udayagiri in Madhya Pradesh where one cave bears a date mark of 401 CE.
Here in one shrine is one of the finest examples of Gupta art, the celebrated relief showing Vishnu in his incarnation as the boar-headed Varaha.
Finally, mention should be made of the Ajanta caves, a row of 29 rock-cut caves following the Waghora river bed ravine in north-west Deccan.
Dating from the 2nd century BCE to 7th century CE, they contain some of the earliest and finest examples of Indian wall-painting.
The subject matter is largely scenes from the life of Buddha.
Gupta Temple Architecture:
It was in the Gupta period that building with lasting materials began, such as dressed stone and brick.
The Gupta period marks the beginning of Indian temple architecture.
Out of the initial experimentation two major styles evolved.
The Gupta style was influenced by Kusana, Mathura, and Gandhara and borrowed the common features of T-shaped doorways, decorated door jambs, sculpted panels with high-relief figures, and laurel-wreath and acanthus motifs.
Constructed using sandstone, granite, and brick, Gupta-era temples added to this architectural heritage with horseshoe gavakshas arches and distinctive curved shikhara towers which are frequently topped with a ribbed disk ornamentation known as an amalaka.
These elaborate buildings are further decorated with a mass of ornate mouldings and sculptures set in niches.
The Gupta temples were of five main types:
Square building with flat roof and shallow pillared porch; as the Kankali Devi temple at Tigawa and the Vishnu and Varaha temples at Eran.
The nucleus of a temple—the sanctum or cella (garbagriha)—with a single entrance and a porch (mandapa) appears for the first time here.
An elaboration of the first type with the addition of an ambulatory (pradakshina) around the sanctum and sometimes a second storey; examples being the Shiva temple at Bhumara (Madhya Pradesh) and the Ladh-Khan at Aihole.
Square temple with a low and squat tower (shikhara) above; notable examples are the Dasavatara temple (built in stone at Deogarh, Jhansi district, UP) and the brick temple at Bhitargaon (Kanpur district).
A high platform at the base and the tower add to the elevation of the composition.
Rectangular temple with an apsidal back and barrel- vaulted roof above, such as the Kapoteswara temple at Cezarla (Krishna district).
Circular temple with shallow rectangular projections at the four cardinal faces; the only monument exemplifying the style is the Maniyar Matha shrine at Rajgir, Bihar.
Dhamekha Stupa is one of the stupas (Buddhist temple) in Sarnath which marks the Rishipattana or deer park, the place where Gautam Buddha presented his first sermon.
Sculpture:
The Gupta sculptural style probably grew out of the Kushan style that survived at Mathura.
The Buddha images at Sarnath reflect serenity and contentment mirroring the religious atmosphere of the age.
This practice of carving images was picked up by Hinduism also.
A great example of Gupta sculpture created at Sarnath is that of the seated Buddha preaching the Law, carved of Chunar sandstone.
The Gupta craftsmen distinguished themselves by their work in iron and bronze.
Bronze images of the Buddha began to be produced on a considerable scale because of the knowledge the smiths had of advanced metal technology.
With regard to iron objects, the best example is the iron pillar found at Mehrauli in Delhi.
A remarkable piece of Gupta metal-casting found at Sultanganj in Bihar is nearly feet high.
Another metal figure but of a smaller size in bronze was found in U.P.
A group of small ivory images of Buddhas and Bodhisattavas founding the Kashmri area are prime examples of late Gupta art from about the eighth century.
Literature:
The Gupta period is remarkable for the production of secular literature, which consisted of
a fair degree of ornate court poetry.
Bhasa was an important poet in the early phase of the Gupta period and wrote thirteen plays.
He wrote in Sanskrit, but his dramas also contain a substantial amount of Prakrit.
He was the author of a drama called Dradiracharudatta, which was later refashioned as Mrichchhakatika or the Little Clay Cart by Shudraka.
Kalidasa who lived in the second half of the fourth and the first half of the fifth century.
He was the greatest poet of classical Sanskrit literature and wrote Abhijnanashakuntalam which is very highly regarded in world literature.
This period also shows an increase in the production of religious literature.
Most works of the period had a strong religious bias.
The two great epics, namely the Ramayana and the Mahabharata, were almost completed by the fourth century AD.
The Puranas follow the lines of the epics, and the earlier ones were finally compiled in Gupta times.
They are full of myths, legends, sermons, etc., which were meant for the education and edification of the common people.
The period also saw the compilation of various Smritis or the lawbooks in which social and religious norms were written in verse.
The Gupta period also saw the development of Sanskrit grammar based on the work of Panini and Patanjali.
This period is particularly memorable for the compilation of Amarakosha by Amarasimha, who was a luminary in the court of Chandragupta II.
Vishakhadatta had written two plays, namely Mudrarakshasa and Devichandraguptam.
Panchatantra, written by Vishnu Sharma, is one of the most famous works of this period.
Science and Technology:
In mathematics, the period saw, in the fifth century, a work called Aryabhatiya written by Aryabhata who belonged to Pataliputra.
Aryabhata displays an awareness of both the zero system and the decimal system.
Astronomy made great progress during the age. Varahamihira and Aryabhatta were the major astronomers.
The Surya Siddhanta is the most important and complete astronomical work of the period.
The Charaka samhita and the Sushruta samhita by Charaka and Susruta were the most important works of medicine. Their conclusions are presented in the Ashtanga Sangraha by Vagbhatta I.
Numismatics:
The Gupta gold coins are known as Dinars and they are the most extraordinary examples of numismatic and artistic excellence.
The coins, in general, depicted the ruling monarch on the obverse and carried legends while the reverse depicted the figure of a goddess.
Samudragupta is credited to have issued only gold coins (Dinar) during his reign in seven different types (‘Lichhaviya’ type included).
The coins of Samudragupta give us a lot of information on the start of the mighty empire of Gupta, and its economy.
Known through his coins as “Vikramaditya”, Chandragupta II also issued silver (Denaree) and copper (Daler) coins, probably to be circulated in the region that was conquered from the Western Kshatrapas.
Conclusion:
The cultural creativity of the Golden Age of India produced magnificent architecture, including palaces and temples, as well as sculptures and paintings of the highest quality.
The Gupta Dynasty promoted Hinduism, but supported Buddhist and Jain cultures as well.
Gupta Buddhist art influenced East and Southeast Asia as trade between regions increased.
The Gupta Empire became an important cultural center and influenced nearby kingdoms and regions in Burma, Sri Lanka, and Southeast Asia.
Classical forms of Indian music and dance, created under the Guptas, are still practiced all over Asia today.